A heart-rending tale of star-crossed young lovers and parallel worlds! To Every You I've Loved Before and To Me, The One Who Loved You: two novels, two films, one multiverse. In Hidaka Koyomi's world, travel between slightly different alternate universes is commonplace. After his parents' recent divorce, Koyomi lives with his father, and falls in love with a girl named Shiori S...(展开全部)

The growing ideological gulf between Democrats and Republicans is one of the biggest issues in American politics today. Our legislatures, composed of members from two sharply disagreeing parties, are struggling to function as the founders intended them to. If we want to reduce the ideological gulf in our legislatures, we must first understand what has caused it to widen so muc...(展开全部)

Roberto Arlt (1900-1942), celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American "boom" and "postboom" novelists such as Gabriel Garcia Marquez and Isabel Allende. "Mad Toy", Arlt's most acclaimed novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the ba...(展开全部)

Roberto Arlt (1900-1942), celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American 'boom' and 'postboom' novelists such as Gabriel Garcia Marquez and Isabel Allende. "Mad Toy", Arlt's most acclaimed novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the ba...(展开全部)

In the second breathtaking volume of Robin Hobb's Liveship Traders trilogy, a new tide of glory and terror sweeps forward the story of the Vestrit clan, their liveship Vivacia, and all who strive to possess her. As the ancient tradition of Bingtown's Old Traders slowly erodes under the cold new order of a corrupt ruler, the Vestrits anxiously await the return of their liveship...(展开全部)

A soul-stirring novel about what we choose to keep from our past, and what we choose to leave behind. Olivia McAfee knows what it feels like to start over. Her picture-perfect life—living in Boston, married to a brilliant cardiothoracic surgeon, raising a beautiful son, Asher—was upended when her husband revealed a darker side. She never imagined she would end up back in her sl...(展开全部)

莫里斯•布朗肖（Maurice Blanchot），法国著名作家、思想家，1907年生于索恩-卢瓦尔，2003年逝世于巴黎。布朗肖一生行事低调，中年后不接受采访与摄影，但他的作品和思想影响了整个法国当代思想界，对法国许多大知识分子和大作家如乔治‧巴塔耶、列维纳斯、萨特、福柯、罗兰‧巴特、德里达等都影响深远。

This work takes the form of a conversation, an interview. An obsessive questioning back and forth builds up Blanchot's narrative, with its sense--shared with Kafka's famous 'doorkeeper' parable--that behind each question lies the spooky possibility of a further, more imposing, more insoluble question. Thematically, powerlessness, inertia, insufficient speech, weariness, falling...(展开全部)

萨维娜·贝尔曼，墨西哥家喻户晓的剧作家、记者和电视节目主持人。1954年生于墨西哥城一个东欧犹太移民家庭，学生时代在伊比利亚美洲大学攻读心理学和墨西哥文学。 她的写作以幽默、讽刺性著称，除了深受家庭背景影响的犹太主题外，主要以女性观点出发，多方剖析诸如专制、暴力、歧视、偏见等两性之间纠结复杂的关系，也探讨人类与动物不同物种之间的关系。她创作的剧本曾四度荣获墨西哥国家编剧奖、胡安·路易斯·德·阿拉尔孔戏剧奖、新闻作品两度荣获墨西哥国家新闻奖。她编剧并制作的电影《后院》代表墨西哥参加2010年奥斯卡最佳外语片奖角逐。此外她还为目前两位墨西哥著名导演阿尔方索·卡隆（《潘神的迷宫》制片）、亚历杭德罗·G. 伊尼亚里图（《鸟人》导演，2015年奥斯卡最佳导演奖得主）分别创作了电影剧本《爱的历史》和《光》。 《在世界中心潜游的女孩》是萨维娜·贝尔曼在2010年创...(展开全部)